“Review: The Seven Deadly Sins: Grudge of Edinburgh Part 1 – Entertaining but Incomplete”
The Seven Deadly Sins: Grudge of Edinburgh Part 1, now streaming on Netflix, offers an entertaining experience, but it falls short of delivering a complete story. Acting as a bridge between past and future events, this two-part film presents an original narrative from Deadly Sins manga author Nakaba Suzuki. Directed by Bob Shirohata, the first part takes place 14 years after the events of the anime, where the Kingdom of Liones is finally enjoying a period of peace. However, this tranquility is shattered when a new threat emerges from the shadows.
In Grudge of Edinburgh Part 1, citizens of the Giant and Fairy clans mysteriously vanish, while enigmatic cloaked individuals wield dark magic in secrecy. Armored figures march between villages, and new abominations are born to exact revenge. Amidst this turmoil, a prominent figure is cursed, leading to urgent endeavors. The Kingdom of Liones teeters on the brink of all-out war.
Rather than focusing on the renowned Seven Deadly Sins, the story centers around King Meliodas (voiced by Yûki Kaji) and Queen Elizabeth’s (voiced by Sora Amamiya) son, Prince Tristan (voiced by Mikako Komatsu/Ayumu Murase). As a young warrior struggling to control his inherited powers, Tristan’s demonic abilities often result in violent outbursts, endangering those around him. His aspirations of becoming a strong knight are overshadowed by the fear of unintentionally causing harm. This personal struggle intertwines with the larger assault on the Kingdom of Liones, presenting an intriguing dilemma on the battlefield.
Grudge of Edinburgh can be seen as a new arc within The Seven Deadly Sins anime. However, similar to films like Demon Slayer the Movie: Mugen Train, the story feels somewhat open-ended for a standalone feature. This notion is reinforced by the segmented release format, with the first part running just over 50 minutes, making it feel more like an extended episode. Instead of providing a self-contained arc from beginning to end, it serves as a narrative bridge, assuming viewers already possess familiarity with the ongoing series. The importance of clan hierarchy, shifting power dynamics between characters, and the relevance of certain groups are presented without much onboarding exposition. Even the goals of the villain, while discernible, rely on vague references to the past.
Fans eager to see familiar characters will be pleased, especially when they encounter the offspring of certain heroes following in their parents’ footsteps. However, newcomers may find themselves lost in the narrative, relying solely on the main conflict to hold their attention. Fortunately, Grudge of Edinburgh manages to offer enough to warrant a watch, even for those not caught up with the anime. While the central conflict draws from previous events, Tristan’s predicament of facing an evil force abducting people is relatable. The perplexing aspect lies in how this task falls to him instead of the well-known Deadly Sins, considering his lineage and his father’s abilities. Nevertheless, these minor narrative issues do not detract significantly from the overall action-packed experience.
Speaking of action, Grudge of Edinburgh does not feature an abundance of battles. However, the ones present are well-executed and benefit from the film’s impressive animation. The combination of computer-generated effects and hand-drawn details adds texture and depth. The integration of 2D and CG elements is seamless, creating a visually appealing aesthetic with vibrant, pastel-like colors that feel grounded. The character movements are fluid, and their attacks possess both speed and a sense of weight in relation to the environment. This attention to detail enhances the impact of the fight sequences.
Unfortunately, Grudge of Edinburgh’s short runtime does it a disservice. Just as the story begins to build momentum, it abruptly concludes, leaving the audience yearning for more. The revelations in the ending fail to compensate for the overall sense of incompleteness. While it is easy to recommend watching the film, it is equally justifiable to wait for the release of Part 2 before diving in, especially for newcomers to the series.
In conclusion, The Seven Deadly Sins: Grudge of Edinburgh Part 1 is certainly worth watching, albeit with the caveat that it may be a more fulfilling experience when viewed in conjunction with Part 2. The action sequences are brief but entertaining, the voice cast delivers commendable performances, and the animation quality remains solid. However, due to its open-ended nature and limited exposition, the film primarily caters to existing fans who possess a deep understanding of the series. Additionally, the short runtime only reinforces the sense of incompleteness, making it a somewhat unsatisfying standalone viewing experience.
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