Illumination, the studio behind the Minions, presents ‘Migration,’ often likened to a ‘Finding Nemo’ knockoff

Illumination, known for its financial success with sequels and adaptations, ventures into the realm of original content with “Migration,” albeit with a familiar echo. Departing from its typical pattern, the studio’s first “original” movie, set to release on December 22, appears to be heavily inspired by Pixar’s “Finding Nemo.”

“Migration” introduces Mack Mallard, voiced by Kumail Nanjiani, as the anxious head of a duck family, mirroring the role of Marlin in “Finding Nemo.” However, Illumination takes its own spin on the narrative, sparing Nemo’s mom from a tragic fate, avoiding separation from the family, and reducing the perilous moments. Despite these alterations, the essence of a Pixar knockoff remains.

The story unfolds as Pam (Elizabeth Banks), the mother duck, yearns for adventure. Persuading Mack to join another flock heading to Jamaica, the family embarks on a journey beyond their pond, encountering mishaps reminiscent of the iconic animated fish tale. The film’s deviation from the migration concept raises questions, leaving some aspects unexplained.

The Mallard family’s adventures take them to New York City, a setting familiar to Illumination’s “Secret Life of Pets” series. The encounter with pigeons echoes the eerie vacancy of seagulls in “Finding Nemo,” with Awkwafina providing a voice for the chatty pigeon leader, Chump. The narrative introduces a physical hindrance to Dax’s flight, parallel to Nemo’s challenges, pushing Mack to confront his overprotective tendencies.

While “Migration” occasionally breaks free from sanitizing G-rated classics, presenting an episodic rhythm and some visually appealing sequences, it maintains a predictable and kid-friendly narrative. The decision to leave human characters wordless and the inclusion of unique visual moments provide a break from Illumination’s usual animated fare. However, the film still embraces certain clichés, with characters exclaiming “This is awesome!” and incorporating moments of slow-motion slapstick, concluding with a dance-party ending.

As a children’s diversion, “Migration” offers a more tolerable experience compared to some of Illumination’s previous works. Yet, the film raises a mild sense of discomfort. Illumination, while not matching Disney or Pixar in budgetary resources, showcases a commitment to bringing profitable adventures to life. The forgettable cuteness of “Migration” suggests that, beyond being a financial obligation, churning out IP-driven content might be a passion for Illumination.

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