A recent report by industry insider Matt Belloni sheds light on factors that Disney reportedly believes are contributing to a string of underwhelming box office performances in recent times.
In the wake of the pandemic, Disney’s cinematic endeavors, spanning both standalone projects and major franchises like the MCU and Indiana Jones, have failed to achieve the resounding success the company has historically enjoyed.
Despite having their respective fan bases, projects such as “Wish” and “Eternals” did not meet Disney’s expectations, as reflected in their lackluster box office performances.
However, Disney attributes these cinematic setbacks not solely to the quality of the projects but also to the pandemic-induced shift towards a streaming-focused approach, according to Belloni’s newsletter.
Internally at Disney, the recent trend of box office disappointments is attributed to a dispersal of focus and resources during the pandemic. There was a perceived necessity to prioritize seeding Disney+ and Hulu with a plethora of content, resulting in what some view as a dilution of creative energy.
Belloni highlights that the rapid escalation of content production, combined with remote working conditions and a lack of in-person collaboration, further compounded the issue. Moreover, he suggests that Disney may have rushed decisions without adequate consideration or testing, ultimately impacting the quality of their output.
However, as the world gradually returns to normalcy, there is optimism within Disney that a return to a more conventional work environment will foster greater intentionality and, consequently, improved movie quality.
While Disney’s recognition of these challenges is a positive step, it remains to be seen if this acknowledgment will translate into tangible improvements in their upcoming cinematic endeavors.
Notably, the decision to transition “Moana 2” from a Disney+ series to a theatrical release could signify a shift away from a “streaming-first” mindset. Yet, the upcoming slate of Disney projects primarily comprises sequels and adaptations, which may face scrutiny regarding their originality and quality.
In summary, while Disney appears to be acknowledging the issues at hand, the true test lies in whether these insights will lead to a qualitative shift in their cinematic output, especially as they navigate a landscape increasingly dominated by streaming platforms and evolving audience expectations.
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