What are the reasons for the early criticism of Disney’s ‘Wish’?

How did Disney’s ‘Wish’ manage to face criticism from TikTok communities even before its release? A teaser of Chris Pine’s villain song, ‘This is the Thanks I Get,’ uploaded on Disney Animation’s TikTok account on Oct. 25, triggered a social media backlash. Numerous TikTok videos utilizing the sound expressed disappointment in the declining quality of Disney musicals, especially in villain songs, with users feeling nostalgic for the superior productions of the past. This criticism raises valid concerns about the direction Disney is taking with ‘Wish.’

The critique stems from the evolution of Disney animated musicals, notably pioneered by Howard Ashman and Alan Menken with the groundbreaking ‘The Little Mermaid’ in 1989. The film introduced a dynamic integration of songs into the narrative, departing from traditional offscreen narration or choruses. This innovative approach continued through the ’90s Disney era with signature tunes like ‘Princess Sings About Her Hopes and Dreams’ and ‘Villain Tells You Their Plan.’

However, contemporary Disney appears less willing to take artistic risks, resulting in a perceived lack of vibrancy and engagement in stories. ‘Wish’ is criticized for its corporate and lifeless feel, offering a tamer, blander villain in King Magnifico compared to the more complex characters of the past. The protagonist, Asha, is also deemed generic, echoing the characteristics of previous Disney princesses.

One major concern is the increasing homogenization of Disney songs, resembling pop tunes and lacking the originality that defined earlier musicals. The influence of Lin-Manuel Miranda’s compositions, featuring catchy yet formulaic numbers, is noted as contributing to this shift. The once-distinctive signature sound of Disney musicals, shaped by Menken’s unique orchestrations, is now at risk of becoming indistinguishable and trend-oriented.

The critique emphasizes the importance of maintaining the specificity and character development through music that defined Menken-era Disney. While diversity in artistic perspectives has historically produced stellar Disney productions, ‘Wish’ raises concerns about the creative team’s ability to uphold the studio’s standards. Disney’s recent trend toward corporate risk-aversion and a reliance on pop elements may jeopardize its legacy, urging a return to more creative storytelling and songwriting to prevent stagnation.

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